![]() Generally a form of synthesis, but, depending on the frequencies and waves involved, it can make distortion-like tones too. In modern production gear, however, it’s common to find several forms of distortion effect that deviate from the classic analogue-style processes. Overdrive is the sound of a valve circuit pushed at its upper limits, while fuzz is a transistor-based effect, creating a distortion tone more focused on the higher frequencies. Saturation is subtle distortion, pushed lightly to create a pleasing, almost ‘hi-fi’ effect. With stompboxes and analogue gear, you often hear of effects referred to as saturation, overdrive or fuzz, which are variations of the same thing. Analogue-style distortion isn't the only game in townĭistortion comes in numerous guises. Another common control found on distortion effects is some form of ‘colour’ control, which usually amounts to an integrated EQ to adjust the frequency response of the effect, boosting or attenuating high or low frequencies. Many modern plugins offer controls to adjust these characteristics, making virtual distortion sound more or less symmetrical. The audible effect is a ‘sweeter’ and richer distorted sound, compared to symmetrical distortion. Processing a symmetrical wave through an asymmetrical distortion will create asymmetrical results, introducing even harmonics as found in saw or pulse waves. ![]()
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